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concert hall

Reviews

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KDHX

Chas Adams

"Comstock's powerful tenor captured the fervor of Des Grieux's ardor, soaring to majestic heights in moments of impassioned pleading."

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KDHX

Benjamin Torbert

"He saved his best moment all night for the character's, managing some real squillo in Des Grieux's cray outburst 'Pazzo son, guardate.' He calibrated well Des Grieux's grief in Act IV, attuned dynamically to Gramagin, and his acting situated the character as more relatable and less alpha than some tenors."

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BroadwayWorld

Steve Callahan

"Here he shows that (his) voice is simply perfect for Puccini. Several times he swiftly soars up an octave, his voice swelling with smooth power as he reaches that summit. His Act III plea for mercy presents the sheer glorious size of his voice."

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KDHX

Chuck Lavazzi

"Speaking of great voices, let’s throw a laurel wreath towards lyric tenor Taylor Comstock making his WOSTL debut as the Red Shadow’s second in command, Sid El Kar."

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BroadwayWorld

Steve Callahan

"Taylor Comstock, as the Riff chieftain, Sid El Kar, has a strong clear tenor voice that stands out over a crowd of singing Riffs."

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Lexington (KY) Herald-Leader

Carmen Geraci

"Tenor Taylor Comstock possesses a lovely, high, sweet, clear legato, perfectly suited for the lyric lover."

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Lexington (KY) Herald-Leader

Whitney Hale

"Comstock is so consistently lovely of voice that we might take for granted how really good he is."

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Washington (DC) City Paper

Mike Paarlberg

"WTO's singers can not only sing, they can act, and do physical feats while projecting to the rafters."

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St. Louis Post-Dispatch

Sarah Bryan Miller

"...she was ably supported by tenor Taylor Comstock as Wilhelm Meister..."

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